
DistroKid vs TuneCore vs CD Baby — complete comparison for independent artists. Pricing, royalties, features, and which distributor is right for your release volume.
Three distributors dominate the independent music market: DistroKid, TuneCore, and CD Baby. They all get your music onto Spotify, Apple Music, and 150+ platforms. The differences are in pricing structure, royalty splits, and what extras they include.
I've used DistroKid for my releases. Here's the full breakdown.
| DistroKid | TuneCore | CD Baby | |
|---|---|---|---|
| Pricing model | Annual subscription | Per release, annual | Per release, one-time |
| Single cost | ~$22.99/year (unlimited) | $9.99/single/year | $9.95/single (one-time) |
| Album cost | Included in subscription | $29.99/album/year | $49/album (one-time) |
| Royalty cut | 0% | 0% | 9% |
| Beatport | Yes | Yes | Yes |
| Speed | 2–5 days | 3–7 days | 5–10 days |
| Publishing admin | Add-on | Add-on | CD Baby Pro (included) |
| Best for | Frequent releasers | 1–2 releases/year | One-time releases |
You pay once a year and release as much as you want. 10 singles, 3 EPs, 2 albums — same price. For any producer releasing consistently, this is the most cost-effective model by far.
The catch: if you stop paying, your music eventually gets removed from streaming platforms. DistroKid offers a "Leave a Legacy" add-on ($29 one-time) that keeps one artist's music live permanently even after you cancel.
Lower upfront cost for a single release — but it's a recurring annual fee. Two singles at $9.99/year each = $19.98/year, and you're already close to DistroKid's subscription price without the unlimited benefit.
TuneCore does keep 100% of your royalties, which is the same as DistroKid.
Math: If you release 3 singles per year on TuneCore, you're paying $29.97/year in recurring fees. On DistroKid, that's $22.99 for unlimited releases. DistroKid wins from release #3 onward.
CD Baby's model is fundamentally different: you pay once per release and never again. $9.95 per single, $49 per album. No annual subscription.
The tradeoff: CD Baby keeps 9% of your streaming royalties forever. On a track earning $100/month, that's $9 going to CD Baby every month. After ~1 year, you've paid more than DistroKid's annual subscription through royalty cuts alone.
For one-off releases by artists who don't plan to release again, CD Baby makes sense. For anyone building a catalog, the 9% cut adds up significantly.
Getting your music live fast matters — especially if you're timing a release around a DJ set, content calendar, or trend.
DistroKid's speed advantage is real and consistently reported by artists. When you need a track live by Friday, DistroKid is the safest bet.
All three distribute to Beatport. This matters for EDM/house producers — DJs discover music there, and it gives your track credibility in the electronic music world.
DistroKid has the best built-in splits feature. You can automatically divide royalties between collaborators — producer, vocalist, remixer — directly from your dashboard. Each collaborator gets paid directly by DistroKid. TuneCore and CD Baby have less elegant split payment workflows.
All three assign ISRC codes (track identifiers) and UPC codes (release identifiers) automatically. No need to buy these separately.
None of the three handle this natively by default:
If you're serious about collecting performance royalties (from radio play, TV, live venues), CD Baby Pro or a dedicated publishing admin service (Songtrust, etc.) is worth looking at.
DistroKid is the right choice for the vast majority of independent EDM/house producers. The math is simple: from your third release onward, it's cheaper than the alternatives. The speed, royalty split tools, and unlimited release model fit the workflow of a producer who's releasing regularly.
If you're just releasing one song ever, CD Baby's one-time fee makes sense. But if you're building a music career — even a small one — DistroKid is the move.
Get DistroKid here (affiliate link — I earn a small commission at no cost to you).
For most independent artists who release more than 2-3 songs per year, DistroKid is better. DistroKid charges a flat annual fee (~$22.99/year) for unlimited releases, while TuneCore charges $9.99 per single per year. If you release 3+ singles annually, DistroKid is already cheaper. Both keep 100% of royalties.
No. DistroKid does not take a percentage of your streaming royalties. You pay a flat annual fee and keep 100% of what the streaming platforms pay out. CD Baby is the outlier here — they take a 9% cut on top of their per-release fee.
For a single one-time release, CD Baby's one-time fee ($9.95/single) can make sense if you don't plan to release anything else. TuneCore charges $9.99/year per single (recurring). DistroKid requires a $22.99/year subscription. If you're only releasing once, CD Baby's one-time payment avoids ongoing fees — though the 9% royalty cut adds up over time.
Yes, but it requires taking your music off one distributor and re-uploading to the new one. This means temporary unavailability on streaming platforms and potentially losing your stream count history on some platforms. It's better to choose the right distributor upfront. Most artists switch from CD Baby or TuneCore to DistroKid once they start releasing frequently.
Yes. DistroKid distributes to Beatport, which is important for EDM and electronic music producers. Beatport is where DJs discover and buy tracks, so having your music there is important for credibility and sync opportunities in the electronic music world.
CD Baby Pro ($49/album or $14.95/single one-time) includes publishing administration — they register your songs with performing rights organizations (PROs) like ASCAP and BMI globally, and collect performance royalties from radio play, TV syncs, and public performances. DistroKid doesn't offer this natively, though they partner with Publishing Administration services at extra cost.
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