
Master EDM chord progressions that create emotional journeys. Learn the most powerful progressions used in House, Trance, Progressive House, and how to create your own unique progressions.
Welcome back to the Music Theory for EDM series! In Part 1, we covered the fundamentals. Now let's unlock the most powerful chord progressions that define EDM and create those emotional journeys listeners love.
In a key, each chord plays a specific role:
I (Tonic): The home key - most stable
ii: Subdominant - prepares return to tonic
iii: Mediant - creates movement, adds emotion
IV: Subdominant - prepares return to tonic
V: Dominant - creates tension, wants resolution
vi: Submediant - relative minor, creates emotional depth
vii° (Leading tone): Creates tension, resolves to tonic
Chord identification system:
| Roman Numeral | Scale Degree | Example in C Major | Function |
|---|---|---|---|
| I | 1 (Root) | C Major | Home key |
| ii | 2 | D Major | Subdominant |
| iii | 3 | E Major | Mediant |
| IV | 4 | F Major | Subdominant |
| V | 5 | G Major | Dominant |
| vi | 6 | A Minor | Submediant |
| vii° | 7 | B Diminished | Leading tone |
In C Major: C - F - G - Am - F
Why it works:
Voice leading breakdown:
C (I) → F (vi) : Step movement, common tone C
F (vi) → G (IV) : Step movement, common tone F
G (IV) → Am (vi) : Step movement, common tone G
Am (vi) → F (V) : Smooth resolution, common tone F
Emotional journey: Happy → More happy → Bright → Climax → Resolution
In C Major: C - F - G - C - F
Why it works:
Common variations:
In C Major: C - F - G
Why it works:
In practice:
In C Major: C - F - B♭ - F
Why it works:
Analysis:
C (I) → F (IV) : Straight movement
F (IV) → B♭ (ii°) : Borrowed chord, creates surprise
B♭ (ii°) → F (V) : Strong resolution to dominant
In C Major: C - G - Am - F
Why it works:
Voice leading:
C (I) → G (V) : Strong downward movement
G (V) → Am (vi) : Smooth step
Am (vi) → F (IV) : Smooth step
In C Major: Am - F - G
Why it works:
Usage:
Intro/Verse: I - V - I (C - G - C)
Breakdown: vi - IV - V (Am - F - G)
Chorus: I - IV - V - I (C - F - G - C)
Formula: Root + Major 3rd + Perfect 5th + Major 7th
C Major 7th: C - E - G - B
Sound:
In practice:
C Maj (I): C-E-G-B → C Maj7: C-E-G-B
F Maj (IV): F-A-C-E → F Maj7: F-A-C-E
G Maj (V): G-B-D-F → G Maj7: G-B-D-F
Formula: Root + Major 3rd + Perfect 5th + Major 7th + Major 9th
C Major 9th: C - E - G - B - D
Sound:
Use sparingly: 9ths can clutter a mix if overused.
Formula: Root + Major 3rd + Minor 7th + Perfect 5th
C Dominant 7th: C - E - G - B♭ - G
Sound:
Usage:
Verse: I - IV - V7 (C - F - G7)
Pre-chorus: V7 - I (G7 - C)
Resolution: I (C Maj) - Satisfying release
Formula: Root + Minor 3rd + Minor 7th + Perfect 5th
C Minor 7th: C - E♭ - G - B♭ - G
Sound:
Use in: Deep House, Trance, Progressive House
Using chords from parallel minor keys creates complex, interesting harmonies without leaving the original key.
In C Major, borrow from C Minor: B♭ (F Minor chord in C Major)
Why it's powerful:
Voice leading:
C (I) → B♭ (ii°) : Unexpected, but smooth resolution
B♭ (ii°) → F (IV) : Strong downward movement
F (IV) → G (V) : Natural dominant resolution
In practice:
I - V7 - I - IV - V7 (C Maj - F Maj7 - G7 - C Maj)
Replace V7 (G7) with: G7 (still V7) → B♭Maj7
Result: I - V7 - B♭Maj7 - I
In C Major, borrow from C Minor: A♭ (F Minor chord in C Major)
Why it's powerful:
Usage:
Pad chord: B♭Maj7 (F Minor's 7th)
Ambient section: Emphasize borrowed chord
In C Major: F (IV) → F (Lydian mode)
Sound:
Voice leading:
I (C) → F (IV) : Bright, step up
F (IV/Lydian) → G (V) : Creates Lydian movement
G (V) → C (I) : Resolution
Definition: Parallel voices move in the same direction together.
C Maj → D Min → E♭ Maj (parallel thirds down)
Use when:
Definition: Contrary voices move in opposite directions.
C (bass) → G (tenor up) vs. F (soprano down)
Use when:
Definition: One voice moves while others stay stationary.
C Maj: C-E-G (holds)
Bass: F → G → F (moves against stationary)
Use when:
Step 1: Choose your key
Step 2: Start with I or vi
Uplifting: I (Major)
Emotional: vi (Minor)
Building tension: vi (Minor)
Step 3: Create movement
Follow the circle: I → IV → V → I
Or follow the circle: I → V → I (three chord trick)
Step 4: Add variation
Use different voicing (inversions)
Add extensions (7ths, 9ths)
Borrowed chords for contrast
Step 5: Test the progression
Exercise 1: Progression mapping
Create these progressions in your DAW:
Exercise 2: Variation practice
Take one progression and create variations:
Change inversions:
Root position → First inversion → Second inversion
C Maj (C-E-G) → E-G-C → G-C-E
Add extensions:
Major triad → Major 7th → Major 9th
C Maj → C Maj7 → C Maj9
Exercise 3: Voice leading
Focus on smooth connections:
Practice: I - IV - V - I
Check: Do all chords resolve naturally?
Avoid: Chromatic jumps (C → F♯ → G)
Use: Common tones when changing
Goal: Tell the story, build to chorus
Common patterns:
I - V - I (resolution)
I - IV - V - I (build up)
I - ii - V - I (shorter build up)
I - vi - IV - V - I (emotional build up)
In FL Studio:
Goal: Build tension and anticipation
Powerful patterns:
I - IV - V7 → I (builds to dominant 7th)
IV - V - I (resolution)
vi - IV - V - I (emotional build up)
Famous examples:
Goal: Release the tension
The most important moment in your track
Powerful patterns:
I - IV - V - I (complete statement)
I - V - vi - IV - V - I (with emotional depth)
I - V - vii° - III - IV - I (dramatic)
In practice:
Goal: Strip down, create tension
Minimalist patterns:
I - V (only two chords, repeating)
I - IV - V - I (stripped down)
i - vi - V - I (emotional breakdown)
Effective breakdowns:
Take an existing melody and find new chords:
Example:
Original: C - D - E (I - ii - iii)
Reharmonization: Am - Em - F (vi - ii° - IV)
Techniques for smooth transitions:
Pivot chord modulation:
C Maj → D Maj (II) (pivot) → C Maj (back home)
Common tone modulation:
C Maj → Dm (iii) → G Maj (V) → C Maj (I)
Relative major/minor modulation:
C Maj → Am (vi) → F Maj (V) → C Maj (I)
What is it? When a voice moves into another's range:
In EDM (rare, but possible):
Bass: C (bar 1-4) → D (bar 5-8) → E (bar 9-12)
Use for:
Day 1-2: Progression mastery
Day 3-4: Analysis
Day 5-6: Creation
Day 7: Application
Free tools for chord work:
See these techniques demonstrated in action on my YouTube channel:
In Part 3 (final part), you'll learn:
Continue to Part 3: Melody, Bass & Rhythm →
Questions?
What chord progression topics are you struggling with? Let me know in the comments or reach out on social media!
Ready to master the language of EDM harmony?
The most common progressions in EDM are I-vi-vi (C Major: C-F-G-Am-F) and i-vi-vi with a descending fifth (C Major: C-F-G-Eb-F). These account for roughly 70% of all EDM tracks. Other common ones include I-V-I-IV-vi, ii-V-I, and the circle-of-fifths progression (I-V-vi-ii°-iii-IV).
Focus on chord quality (major/minor/7th) to create emotion, voice leading to create smooth movement, and tension and release to build anticipation. Use emotional chord qualities like minor for sadness, major for happiness, diminished for tension, and augmented 7ths for color.
Voice leading is how smoothly chords connect through common tones and resolve tension. Good voice leading makes music feel natural and professional by avoiding awkward chromatic jumps and ensuring each note leads smoothly to the next. It's especially important in EDM for creating flowing melodic lines and basslines.
Yes! Borrowed chords from other keys (modal interchange) add complexity and emotional depth. Common borrowed chords in EDM include the ♭II from minor (D Major borrows B minor to get F major chord), the ♭VI from minor (C Major borrows A minor to get A minor chord), and major-minor progressions.
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